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Tag Archives: William Burroughs
The Avant-Garde is an Old Man!
Every writer aspiring to break new literary ground has been rattled by that old chestnut from Ecclesiastes: What has been will be again, what has been done will be done again; there is nothing new under the sun. And yet … Continue reading
Posted in American Literature, Australian Literature, British Literature, Essays, Literary Criticism, Literature
Tagged 1920s, 1950s, 19th century france, 20th Century Literature, Adorno, Apollinaire, Aragon, Artaud, avant garde, beat generation, Beats, Benjamin, books., Breton, Brion Gysin, Calvino, Charles Baudelaire, Chekhov, Clement Greenberg, Conrad, Corso, Cryptogram, dada, DH Lawrence, Dreamscape, Dujardin, Ecclesiastes, Edgar Allan Poe, experimental literature, Ezra Pound, Faulkner, fiction, Frankfurt School, Free Association, Freud, Fuentes, Garcia Marquez, Ginsberg, Hamsun, Heine, Henry James, Holderlin, Horkheimer, Hybridity, Interior Monologue, Joyce, Kerouac, Kitsch, Lamantia, Laurence Stern, Lipogram, Literature, Lost Generation, Magic Realism, Magic Surrealism, Mansfield, Novalis, Novels, Oscar Wilde, Oulipo, palindrome, Perec, Peter Burger, poetry, Post Modernism, post modernity, post-modern, post-structuralism, Prose, prose and poetry, prose poem, Prose poetry, Proust, Quenau, Renato Poggioli, Rosalind Krauss, Soupault, Stream of Consciousness, Surrealism, TS Eliot, Vanguard, William Burroughs, William James, Woolf, writing
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Immortal Jaguar by Hugh Fox
As Richard Morris attests – “Hugh Fox is an American original. There is no one else writing like him today.” One could add that this poet, novelist, renowned academic, and living small press icon is an ‘American original’ in the … Continue reading
Posted in American Literature, Esoteric, New books
Tagged American literature, Anthropology, Bolivia, Epic, esoteric, fiction, Gilgamesh, Hallucinogens, Hugh Fox, Literature, Myth, Mythography, mythology, novel, Shamanism, South America, Sumerian, Tiawanaku, William Burroughs
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Through the Skylight 