Tag Archives: Orchestral

Dead Can Dance and the Neoclassical Darkwave Legacy

Posted on January 24, 2013 by Daniel

Thank heavens they’re back! After a 16 year hiatus Dead Can Dance reformed to put out a new album called Anastasis, which although does not quite reach the heights of Spleen and Ideal, The Serpent’s Egg, or Aion, is still … Continue reading →

Posted in Music, Reviews, Uncategorized | Tagged 4AD, Aion, Alchymical Muse, All My Faith Lost, Amber Asylum, ambient, Anastasis, Anathema, Angels of Venice, Arabic, Arborea, Arcana, Artesia, Ashram, Ataraxia, Autumn Tears, Autumn’s Grey Solace, Aythis, Azam Ali, Bacio di Tosca, bagpipe, Black Tape for a Blue Girl, Blur, Brendan Perry, Breton, Brian Eno, British Folk, Bulgaria, Bulgarian, Byzantine, Camerata Mediovalo, Carter Tutti, Celtic, Chandeen, Chaostar, Chris & Cosey, cittern, Cocteau Twins, Collection d’Arnell Andrea, Corde Oblique, Cornish, Corvus Corax, Cye Wood, Daargard, Damon Albarn, Daniel Staniforth, Dead Can Dance, Delayaman, Diary of Dreams, Die Verbannten Kinder Evas, Dracula, Dunkelschön, Elend, English, Ensemble Orphique, Estampie, Fable, Faun, Finnish, flute, folk, French Provençal, Gaelic, Galician-Portuguese, German, German Folk, Gladiator, Gorillaz, Goth, Gothic, Gregorian Chant, Halgalz’ Runedance, harp, Hedningarna, Hindi, hurdy gurdy, In the Nursery, Indian, Irfan, John Renbourn, Judeo-Spanish, Karda Estra, Klaus Schultz, Latin, Lisa Gerrard, Love is Colder than Death, Love Spirals Downwards, Loveliescrushing, Luna Trick, Madrigals, Manx, Marcello de Francisci, mediaeval, Mediaeval Baebes, Mediavolo, Medieval, Mediterranean, Mirablis, Miranda Sex Garden, Mors Syphilitica, music, Myth, Narsilion, Negradonna, neo-celtic, Neoclassical Darkwave, Neoclassicism, Niyaz, Noise, North Africa, Nox Arcana, Omnia, Ophelia’s Dream, Orchestral, Ordo Funebris, Otto Dix, pagan, Patrick Cassidy, Pentangle, Persephone, Persia, Persian, Peter Ulrich, Pieter Bourke, Plainsong, Poeta Magica, Projekt Records, Qntal, Ranja, Rebsie Fairholm, Renaissance, Schandmaul, Sephardic, Sieben, Soap&Skin, Sopor Aeternus, Spleen and ideal, Stellamara, Stille Volk, sToa, Symphonic, Tehni, the Balkans, the Caucasus, The Frozen Autumn, The Moon and the Nightspirit, The Serpent's Egg, This Ascension, This Mortal Coil, Throbbing Gristle, Tinkerscuss, Trance to the Sun, Triskillian, Trobar de Morte, Ulver, Unto Ashes, Valravn, Vas, Victorian Gothic, Welsh. Circulus, Whalerider, Within the realm of a dying sun | 2 Comments

The RUINS poemscape video featuring poetry by Margaret Randall

Posted on April 6, 2012 by Daniel

Last year Skylight Press was privileged to publish a collection of poetry by the esteemed poet, Margaret Randall, called Something’s Wrong with the Cornfields. Soon after, another poetry collection was published by University of New Mexico Press for their … Continue reading →

Posted in American Literature, Literature, Poetry | Tagged Alchymical Muse, ambient, American History, American literature, American Poetry, Architecture, Audio-visual, books., classical music, Daniel Staniforth, Film, Literature, Luna Trick, Margaret Randall, New Mexico, Orchestral, poemscape, poetry, Pueblo, Rebecca Wilby, Rebsie Fairholm, Ruins, Soundtrack, Spoken language, video | Leave a comment

Tag Archives: Orchestral

Dead Can Dance and the Neoclassical Darkwave Legacy

The RUINS poemscape video featuring poetry by Margaret Randall

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