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Tag Archives: Hagiography
Writing the Unicorn: The Paradox of Historical Fiction
“Luckily Nicolas didn’t have to answer, as he couldn’t have spoken. I had placed my hand on his bulge, which was as hard as a tree branch. I had never touched one before.” It was at that precise point when … Continue reading →
Posted in British History, British Literature, Essays, Literary Criticism, Literature, Recommended reads, Reviews
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Tagged American History, Anachronistic, atheism, Bill Watterson, Biography, Braveheart, commercial fiction, Creative license, Dumas, Eco, Elizabeth, English history, Epic, Fantasy, feminism, fiction, Fitch, folklore, Follett, Gibbons, Gladiator, Graves, Hagiography, Hayden White, Hilary Mantel, historical accuracy, Historical Epics, Historical Fiction, historical fiction author, Historical novel, Historicity, Historiography, History, Holinshed, Hugo, humanism, Jonathan Rhys Meyers, literary fiction, Mann, Marcus Aurelius, mediaeval, Medieval, Narrativity, novel, Ortega Y. Gassett, period pieces, Phillipa Gregory, poetic license, pulp fiction, Robespierre, Robin Hood, Roland Barthes, Storytelling, The Passion, The Patriot, The Tudors, The Vikings, Thomas Cromwell, Tracey Chevalier, translation, Tudor History, Unicorn, Vidal, William Wallace, Winston Churchill
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‘Jesus Christ, that’s a lot of Novels!’ – A Cross-section of Blasphemetic Fiction
The fictions of Jesus the Christ have become many in number, multiplying like the loaves and the fishes at Bethsaida. In that they were pseudepigraphical accounts and written up two to three centuries after the events depicted, the gospels could … Continue reading →
Posted in American Literature, British History, British Literature, Esoteric, Essays, Literary Criticism, Literature, Reviews
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Tagged A.J. Langguth, Albert Schweitzer, American fiction, Angela Hunt, Anita Mason, Anthony Burgess, Apocrypha, Astral Plane, Ben Hur, Benito Perez Galdos, Bible, bishop irenaeus, Bishop Ireneus, Blasphemy, British fiction, Bruno Bauer, Buddhism, Channeling, Chris Hill, Chris Moore, Christendom, Christianity, Coptic, coptic gospels, Cyberpunk, D.H. Lawrence, Dan Brown, David Strauss, Dead Sea Scrolls, Decetisicm, Early Church, Ebionite, Elaine Pagels, Eqyptology, Ernest Renan, esoteric, feminism, fiction, Frank Yerby, Friedrich Ghillany, Gabriel Meyer, George Moore, Gerd Theissen, Gerhart Hauptmann, gnostic gospel of thomas, gnosticism, Gore Vidal, Gospel of Thomas, Gospels, Grail, Hagiography, Hebrew, Heresy, Historical Jesus, History, Holy Blood, Hugh Schonfield, infancy gospels, Isis, issus, James Carse, James Morrow, Jeremy Robinson, Jesus Christ, Jim Crace, John, Jose Saramago, Judaism, Karl Barth, Last Temptation of Christ, Lew Wallace, Life of Brian, Liz Green, Luke, Magic, Magick, Marcionism, Mark, Marrianne Fredriksson, Martin Scorsese, Mary Magdalene, Master Jesus, Matthew, Messiah, Michael Baigent, Michael Moorcock, Michele Roberts, Mikhail Bulgakov, Monty Python, Morton Smith, mysticism, mythology, Nag Hammadi, Nazarene, Nikos Katantzakis, Nino Ricci, Norman Mailer, Nostradamus, Novels, Occult, Orthodox, pagan, Par Lagerkvist, Passion Plays, Paul Park, Religion, Richard Muller, Robert Graves, Roman History, Saints, Saviour, Shasaku Endo, Sholem Asch, Simon Magus, Skylight Press, Taylor Caldwell, Testament, Theodore Sturgeon, Theodore Ziolwolski, Theology, Theosophy, Time Travel, Western Mystery Tradition, Wilton Barnhardt, Yeshua, Zoroastrianism
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