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Tag Archives: David Caddy
A Few Recent Reviews of Skylight Books
Kaleidoscopic Omniscience by Will Alexander “Vermillion shades of astral haunts abound as Alexander takes his readers through a psychedelic romp that leaves the consciousness reeling. There’s nothing usual about Alexander’s visionary take on history: the contemporary, the ancient, and the … Continue reading
Posted in American Literature, British History, British Literature, Esoteric, Literary Criticism, Literature, Recommended reads, Reviews
Tagged Alan Richardson, Alexander, American Poetry, Anthony Duncan, avant garde, Book Reviews, British fiction, British Literature, British poetry, Charles Olson, Christ, christian, Daniel Staniforth, David Caddy, Dion Fortune, dr john dee, esoteric, experimental fiction, fiction, Gareth Knight, Garry Craig Powell, Hamlet, HTML GIant, iain sinclair, John Dee, Lipstick & Politics, Literature, Magic of the Ordinary, Michael S. Judge, novel, Occult, Patrick James Dunagan, Paula Mendoza, Peregrin Wildoak, Persian Gulf, Plutarch, poetry, qabala, Reviews, Robert Duncan, Shakespeare, Sting, Surrealism, Tears in the Fence, UAE, Will Alexander, William Blake, World War One
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Iain Sinclair’s Suicide Bridge
Originally posted on Tears in the Fence:
The new edition of Iain Sinclair’s Suicide Bridge: A Book of the Furies, A Mythology of the South & East – Autumn 1973 to Spring 1978 (Skylight Press 2013) expanded on the original…
Posted in British History, British Literature, Literature, Poetry, Recommended reads, Reviews, Uncategorized
Tagged Brian Catling, British Literature, British poetry, David Caddy, English history, Hybrid poetry, iain sinclair, Literature, London, Mystical Poetry, poetry, Prose poems, Psychogeography, Suicide Bridge, Tears in the Fence, Test Centre, William Blake
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The Groundlings of Divine Will
Originally posted on Tears in the Fence:
Daniel Staniforth’s The Groundlings of Divine Will (Skylight Press 2013) http://www.skylightpress.co.uk sees Shakespeare’s first audience, ‘the groundlings of the pit’, as a secret society addressing the Master Of Revels in a glorious riposte…
Posted in British Literature, Literary Criticism, Literature, Recommended reads, Reviews, Uncategorized
Tagged Book Review, British History, British Literature, British poetry, Daniel Staniforth, David Caddy, Elizabethan, English history, experimental literature, History, hybrid literature, Hybrid poetry, poetry, Prose poems, review, Skylight Press, Tears in the Fence, Tudor, William Shakespeare
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