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Tag Archives: Baroque
My Ongoing Obsession with the Bach Cello Suites
At the tail end of 2014 I came across a book I had been previously been unaware of at a library liquidation sale and bought it for less than the price of a cup of coffee. That the book aroused … Continue reading →
Posted in British History, Essays, Music, Recommended reads, Reviews
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Tagged alchemy, Anner Bylsma, Bach, Bach Cello Suites, Baroque, Catalan, cello, Cello Suites, classical music, Composer, Compositions, double bass, Elgar, Eric Siblin, German Composer, German Music, guitar, Heinrich Schiff, Hungary, J.S. Bach, jacqueline du pre, János Starker, Mischa Maisky, Mstislav Rostropovich, music, Nature, Pablo Casals, Paolo Pandolfo, Paul Tortelier, Pierre Fournier, Pieter Wispelwey, Ralph Kirshbaum, Shakespeare, Spain, Steven Isserlis, Suites for solo cello, The Cello Suites, Truls Mork, viola, Viola da Gamba, xylophone, Yo Yo Ma
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4 Comments
Antiphonal Airs by Joseph Noble
sound remembered beneath the sound board within the fingers recognizable and strange at the rim of summoning and leaving Antiphonal Airs is a mixilating series of poems from poet-musician Joseph Noble. Some are improvisational riffs on specific composers, their lives … Continue reading →
Posted in American Literature, Literature, New authors, New books, Poetry, Recommended reads
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Tagged American literature, American Poetry, Andrew Joron, avant garde, Baroque, Bay Area Poetry, classical, classical music, Cloud Shepherd, composers, David Meltzer, early music, Edgar Varese, Elizabeth Robinson, Experimental Music, Experimental poetry, Haydn, Hazrat Inayat Khan, Italian Baroque, Italian Composers, jazz, John Adams, Joseph Noble, Literature, Lyrical Poetry, Monody, music, Ornette Coleman, Orpheus and Eurydice, poetry, Polyphony, Riddle, San Francisco Poetry, Seconda Practica, Songs, Sonnet, Theolonius Monk
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